Co-constructing or Deconstructing Gender Identity? A Multimodal Critical Discourse Analysis of Bongo Flava-Song Video Niambie.

dc.contributor.authorSaimon, Musa.
dc.date.accessioned2026-07-08T09:42:07Z
dc.date.issued2019-06-23
dc.description.abstractMusic like any other media provides a kind of discourse through which social aspects like gender identity of a particular related society can be co-constructed or deconstructed depending on the ideological perspective of the speaker/writer. This paper analyses Bongo Flava-song video ‘Niambie’ using multimodal critical discourse perspective so as to examine if the song involves co-construction or deconstruction of gender identity. Results show that gender identity in the song video is co-constructed in the sense that male gender is dominant over female gender alluding from patriarchal ideology through which men are supposed to dominate women in all life aspects.
dc.description.sponsorshipCollege of Business Education.
dc.identifier.citationSaimon, Musa. (2019). Co-constructing or Deconstructing Gender Identity? A Multimodal Critical Discourse Analysis of Bongo Flava-Song Video Niambie.
dc.identifier.issn2549‑0168
dc.identifier.urihttps://dspace.cbe.ac.tz/handle/123456789/865
dc.language.isoen_US
dc.publisherJurnal Komunikasi
dc.relation.ispartofseriesVolume: 12; Issue: No. 1
dc.subjectGender identity
dc.subjectMultimodal critical discourse analysis
dc.subjectBongo Flava
dc.titleCo-constructing or Deconstructing Gender Identity? A Multimodal Critical Discourse Analysis of Bongo Flava-Song Video Niambie.
dc.typeArticle

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