Co-constructing or Deconstructing Gender Identity? A Multimodal Critical Discourse Analysis of Bongo Flava-Song Video Niambie.
| dc.contributor.author | Saimon, Musa. | |
| dc.date.accessioned | 2026-07-08T09:42:07Z | |
| dc.date.issued | 2019-06-23 | |
| dc.description.abstract | Music like any other media provides a kind of discourse through which social aspects like gender identity of a particular related society can be co-constructed or deconstructed depending on the ideological perspective of the speaker/writer. This paper analyses Bongo Flava-song video ‘Niambie’ using multimodal critical discourse perspective so as to examine if the song involves co-construction or deconstruction of gender identity. Results show that gender identity in the song video is co-constructed in the sense that male gender is dominant over female gender alluding from patriarchal ideology through which men are supposed to dominate women in all life aspects. | |
| dc.description.sponsorship | College of Business Education. | |
| dc.identifier.citation | Saimon, Musa. (2019). Co-constructing or Deconstructing Gender Identity? A Multimodal Critical Discourse Analysis of Bongo Flava-Song Video Niambie. | |
| dc.identifier.issn | 2549‑0168 | |
| dc.identifier.uri | https://dspace.cbe.ac.tz/handle/123456789/865 | |
| dc.language.iso | en_US | |
| dc.publisher | Jurnal Komunikasi | |
| dc.relation.ispartofseries | Volume: 12; Issue: No. 1 | |
| dc.subject | Gender identity | |
| dc.subject | Multimodal critical discourse analysis | |
| dc.subject | Bongo Flava | |
| dc.title | Co-constructing or Deconstructing Gender Identity? A Multimodal Critical Discourse Analysis of Bongo Flava-Song Video Niambie. | |
| dc.type | Article |
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